New Zealand Travel
Evangelical missionary societies have been associated with the processes of colonisation throughout the globe, from India to Africa and into the Pacific. In late 18th-century Britain, the Church Missionary Society for Africa and the East (CMS) began its missionary ventures, and in the first decade of the 19th-century, sent three of its members to New South Wales, Australia, and then on to New Zealand, an unknown, little-explored part of the world.
Across the globe, a common material culture travelled with its evangelizing (and later colonizing) settlers, with artefacts appearing as cultural markers from Cape Town in South Africa, to Tasmania in Australia and the even more remote Bay of Islands in New Zealand. After missionization, colonization occurred. Additionally, common themes of interaction with indigenous peoples, household economy, the development of commerce, and social and gender relations also played out in these communities.
This work is unique in that it provides the first archaeological examination of a New Zealand mission station, and as such, makes an important contribution to New Zealand historical archaeology and history. It also situates the case study in a global context, making a significant contribution to the international field of mission archaeology. It informs a wider audience about the processes of colonization and culture contact in New Zealand, along with the details of the material culture of the countrya (TM)s first European settlers, providing a point of comparison with other outposts of British colonization.
Dora is excited for her big birthday fiesta--but first she has an adventure to complete.
All was not well in Middle-earth . . . After the third Lord of the Rings movie premiered in 2003, fans of the series eagerly anticipated production and release of its prequel, The Hobbit. It turned out they had a while to wait, as a series of troubles delayed production for years. Then, in September 2010, when almost everything seemed resolved, U.S. and international actors unions issued a pub-lic alert advising their members "not to accept work on this non-union production." Warner Bros. threatened to rip the troubled production from the country and events quickly spiraled out of control. New Zealand plunged into crisis. Saving the Hobbit was do or die for the local film industry, and the government scrambled to avoid disaster. Protests and rallies erupted and the island nation's currency fell on the possibility of losing the half-billion dollar project. Director Peter Jackson vowed to "fight like hell" to keep the shoot in New Zealand. But then studio executives flew in from Los Angeles like colonial masters ready to bring down the hammer. What happened next was almost unbelievable - and proved, if nothing else, that not all Hollywood drama is on the screen. This short book (70 pp. plus bibliography, etc.) tells the tale.
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